Join us for an immersive two weeks of creating meaningful ceramic vessels and firing them in ICA Italy’s new wood kiln. Be in the first group to fire this custom-built kiln!
Throughout history ceramic vessels have told stories far more profound than the mere fact of storage or service. During this workshop, we plumb the depths of our own motivations to create vessels which carry our contemporary, personal narratives.
Taking inspiration from the landscape and historical-cultural milieu of Umbria, as well as the unique ideas and influences we each contain within us, we create a series of works that embody a specific moment, investigation, and touch. This workshop explores the vivid possibilities for expression when one adopts a “freestyle” approach to making. We create personal narrative and content through the interplay between form, surface embellishment, and wood firing atmosphere on a series of works inspired by vessels of antiquity.
Eva’s intuitive hand building method creates 3 dimensional “canvases” upon which to explore multiple techniques for mark making, printing, adding depth and texture— in effect, telling a visual story across the surface of each vessel, and then offering these highly expressive works to the new wood kiln, allowing it to have the final word in design.
During our first week together, Eva offers step by step technical guidance, demonstrations, one on one mentoring, and open-forum discussion, as we create our series of vessels at varying scales. We quickly hone our hand building skills, develop tactile acuity, and push our ability to make clay do what we want and convey the thoughts and concerns we wish it to. We investigate numerous ways that the form and surface can be handled for expressive results, be your aim dramatic, vivid, or subtle.
At the end of the first week, we dig up some local clay to work with, allowing us to compare the material qualities and firing results between clay bodies. During week two, we turn our attention to finishing touches to our series, drying them, and preparing for the wood firing. We discuss all aspects of this process, and everyone is hands-on during the inaugural firing itself, which takes about one day. We experience the exhilarating freedom of giving our works over to the wood kiln, since results cannot be entirely predicted. Our process can be described as a collaboration between the maker’s planning and execution, and the kiln’s sweeping endowments and editing: a meeting of intention and fortune.
This intensive period of creative reflection and production undertaken in such a breathtaking setting as Monte Castello Di Vibio will impact your studio practice for a long time to come. This workshop is open to all levels of experience.
Participants will be housed in the remarkably well-preserved Umbrian hill town of Monte Castello di Vibio. Your workshop package is all-inclusive, providing welcome and departure services and airport transfer from the Rome Fiumicino, Leonardo Da Vinci Airport (FCO). Aboard our comfortable private bus, single occupancy accommodations with shared bath (a wide range of upgrades with private bath are available), 3 meals per day Monday-Thursday, Prosecco brunch and dinner on Saturday and Sunday (no meals are served on Friday, our excursion day. Your workshop includes one excursion per week and many additional options are available on weekends for an additional fee. Of course, 24/7 access to facilities and 24/7 bi-lingual support are provided.
Eva Champagne is an American ceramic artist and educator, raised in the great cultural melting pot of Hong Kong. She has taught in both university and workshop settings in the US and abroad, focusing on such topics as soda firing, soda kiln building, ceramic surface techniques for all temperatures and firings, wheel throwing, and a wide variety of hand building methods. Her work and writing have been featured in Ceramics Monthly and Pottery Making Illustrated, among other publications. Eva’s ceramic work is exhibited in the US and internationally. She received her B.A. in Studio Art from Humboldt State University, completed Post-Baccalaureate study at the University of Florida, and earned her M.F.A. in Ceramics from the University of Montana-Missoula. Eva has traveled extensively for artist residencies including AIR Vallauris in France, Guldagergaard International Ceramic Research Center in Denmark, Watershed Center for Ceramic Arts in Maine, Red Lodge Clay Center and The Clay Studio of Missoula in Montana, and Gaya Ceramic Art Center in Bali, Indonesia. She returned to Gaya Ceramic Arts Center twice after her residency to lead workshops, before joining to serve as Managing Director for five and a half years. Recently, she returned to western Montana and continues her studio practice. In the spring of 2025 she will be leading several workshops in California and Idaho, and in the fall, Europe and the UK.
